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Summary
For God, Tsar and the Motherland - the Imperial Russian Navy
Pics:
1. 0:01 Standart of the Tsar
2. 0:05 BB Ismail under construction
3. 0:10 BB Imperator Aleksandr III.
4. 0:15 BB Imperatritsa Ekaterina Velikaya
5. 0:20 Submarine Karb
6. 0:25 CL Askold
7. 0:30 BB Sevastopol
8. 0:35 CA Rossiya
9. 0:40 CL Askold
10. 0:45 The Black Sea Squadron
11. 0:50 BB Gangut
12. 0:55 CA Gromoboi
13. 1:00 BB Imperator Pavel
14. 1:05 BB Imperator Aleksandr III.
15. 1:10 CA Rossiya
16. 1:15 BB Slava
17. 1:20 Tsar Nicolas II.
18. 1:25 CL Oleg
19. 1:30 CL Varyag
20. 1:35 Submarine Akula
21. 1:40 BB Poltava
22. 1:45 BB Tsessarevitch
23. 1:50 Damage on CL Zemtchug
24. 1:55 CL Askold
25. 2:00 CL Aurora
26. 2:05 CL Varyag at Constantinople
27. 2:10 BB Evstafiy
28. 2:15 CA Gromoboi
29. 2:20 BB Imperatritsa Mariya
30. 2:25 Submarine Bars
31. 2:30 BB Ioann Zlatoust
32. 2:35 CL Askold
33. 2:40 Admiral Nikolai Essen
34. 2:45 BB Gangut main turrets
35. 2:50 DD Novik
36. 2:55 CA Potemkim
37. 3:00 Submarine Volk
38. 3:05 BB Rossiya
39. 3:10 BB Rotislav
40. 3:15 CL Zemtchug
41. 3:20 Submarine Krab
42. 3:25 BB Tsessarevitch
43. 3:30 BB Sevastopol
44. 3:35 Beached BB Slava
45. 3:40 Russian Ensign
There were special court cameramen and photographers who captured the daily life of the Romanov family. The Company of von Gun filmed the Tsar, and with the permission of the Ministry of the Court, showed these films in movie theatres beginning in 1907. Before the February 1917 Revolution, the von Gun Company was the main provider of the Tsar's chronicles in the Russian film industry. After 1907 other filmmakers were permitted to film the Royal family, including A. Drankov, V. Bulla (the elder), Khanzhonkov Company, Pate Company, and others. Before the beginning of World War I a newsreel became popular capturing military parades, holidays, reviews and drills. Many are devoted to the Fleet. They document everyday life of the Baltic Sea and Black Sea squadrons. Some of the newsreels document the fire of the Maly Theatre in Moscow, mass gymnastics, auto and motor races, zoos and animal preserves, and the life of peoples of the Russian Empire. The objects of filming were political and cultural figures, the construction of warships, the Moscow flood, the testing of new agricultural equipment and the oil industry in Baku. There are also films showing the towns of Russia, etc. During World War I, cameramen captured events on all fronts. Before 1915, the exclusive rights to film battles belonged to the Film Department of the Skobelev Committee. The Skobelev Committee of the Assistance to the Wounded Soldiers of the General Staff was founded in November 1904 as a public organization. By the order of the Scobelev Committee many cameramen filmed the events of the World War I, such as Englishman Arcol (representative of Pate Company, filmed on South-Western and Caucasus fronts), cameramen E.D. Dored (represented American companies) and P.V. Ermolov, (filmed events on Caucasus front); P.K. Novitskiy (Gomount Company), N.M. Toporkov, K.E. von Gan, A.K. Gan-Jagelskiy, made filming in the General Headquarters. Other cameramen such as: A. G Lemberg, S, Zebel, Trushe, etc. also worked at the fronts. Cameramen filmed the war not only on the fronts but also from the rear. Since the first month of the war until 1917 the Scobelev Committee produced about 70 newsreels. From 1914 to 1915 cameramen of the Scobelev Committee produced 21 series of the newsreel "Russian Military Chronicle". The materials of this newsreel were used many times for the separate films made by Scobelev Committee and other film companies. Read more at: http://www.pbs.org/redfiles/rao/archives/rgakfd/textind10.html
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