Vizita Familiei Imperiale Ruse la Constanta (14 iulie 1914) - Russian Royal Family at Constanta
Summary
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Vizita Tarului Nicolae al II-lea al Rusiei impreuna cu Imparateasa Alexandra Feodorovna si alti membrii ai Familiei Imperiale, la 1 iunie 1914, la Constanta.
Tarul avea o legatura stransa cu Regele Carol I al Romaniei, mai ales in urma casatoriei principelui mostenitor Ferdinand al Romaniei cu Maria care era nepoata Tarului Alexandru al II-lea si verisoara lui Nicolae al-II-lea. Mai mult, Nicolae al II-lea l-a botezat pe cel de-al patrulea copil al Mariei, Nicolae, in 1903. A existat si un proiect de mariaj, puternic sustinut de ministrul de externe rus Sazonov, intre printul mostenitor Carol (viitorul Rege Carol al II-lea) si marea ducesa a Rusiei, Olga.
Vizita Tarului era o vizita de raspuns la vizita pe care Regele Carol I o efectuase in iulie 1898, insotit de principele Ferdinand si de primul-ministru D.A. Sturdza, in Rusia, la invitatia tarului, poposind la resedinta acestuia de la Tarskoe Selo, langa Sankt Petersburg.
Discutiile politice de la Constanta au vizat necesitatea mentinerii pacii in Balcani si a respectarii Tratatului de la Bucuresti din 1913.
Vizita Tarului avea loc cu exact 4 ani inainte de uciderea intregii Familii Imperiale ruse de catre bolsevici, la 17 iulie 1918.
EN: In 1914 King Ferdinand and Queen Marie tried to make a match for their son, Prince Carol, with the Grand Duchess Olga of Russia. The Russian Royal Family sailed from the Crimea to Constanta to meet the Romanian Royal Family.
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There were special court cameramen and photographers who captured the daily life of the Romanov family. The Company of von Gun filmed the Tsar, and with the permission of the Ministry of the Court, showed these films in movie theatres beginning in 1907. Before the February 1917 Revolution, the von Gun Company was the main provider of the Tsar's chronicles in the Russian film industry. After 1907 other filmmakers were permitted to film the Royal family, including A. Drankov, V. Bulla (the elder), Khanzhonkov Company, Pate Company, and others. Before the beginning of World War I a newsreel became popular capturing military parades, holidays, reviews and drills. Many are devoted to the Fleet. They document everyday life of the Baltic Sea and Black Sea squadrons. Some of the newsreels document the fire of the Maly Theatre in Moscow, mass gymnastics, auto and motor races, zoos and animal preserves, and the life of peoples of the Russian Empire. The objects of filming were political and cultural figures, the construction of warships, the Moscow flood, the testing of new agricultural equipment and the oil industry in Baku. There are also films showing the towns of Russia, etc. During World War I, cameramen captured events on all fronts. Before 1915, the exclusive rights to film battles belonged to the Film Department of the Skobelev Committee. The Skobelev Committee of the Assistance to the Wounded Soldiers of the General Staff was founded in November 1904 as a public organization. By the order of the Scobelev Committee many cameramen filmed the events of the World War I, such as Englishman Arcol (representative of Pate Company, filmed on South-Western and Caucasus fronts), cameramen E.D. Dored (represented American companies) and P.V. Ermolov, (filmed events on Caucasus front); P.K. Novitskiy (Gomount Company), N.M. Toporkov, K.E. von Gan, A.K. Gan-Jagelskiy, made filming in the General Headquarters. Other cameramen such as: A. G Lemberg, S, Zebel, Trushe, etc. also worked at the fronts. Cameramen filmed the war not only on the fronts but also from the rear. Since the first month of the war until 1917 the Scobelev Committee produced about 70 newsreels. From 1914 to 1915 cameramen of the Scobelev Committee produced 21 series of the newsreel "Russian Military Chronicle". The materials of this newsreel were used many times for the separate films made by Scobelev Committee and other film companies. Read more at: http://www.pbs.org/redfiles/rao/archives/rgakfd/textind10.html
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